Secret Lives of Color

 



Nude. Camera, paper, tape. 6 x 10 in


The chapter on nude explores the cultural assumptions of the color opposed to the truth. Through Western fashion, the concept of nude is used to describe a pale, pink-beige skin tone. Products are made to cater to this color and in result is less diversity amongst fashion. I acknowledge the privilege that lies within my skin. With the idea of nude not coming from a point of truth, I decided to photograph my own skin. Opposed to a perfect complexion, my skin holds scars, stretch marks, and what can feel like endless imperfections. My scars are my biggest insecurity. They are reminders of my hardest times embedded into my skin. I have changed and grown to be better but they are still there. I know the moment they are seen by someone else. I sometimes see eyes shift into a slight sorrow. Nude will never be what it’s supposed to be. It cannot accomplish what it should. Let nude be any color, any texture, and any feeling. 

 


Silver. Computer, paper. 4 x 6 in 


The chapter of silver is delivered through descriptions its rich history. Through symbolism of purity and alignment with the moon, silver is a profound color and material. It is unique in regards to its reflectiveness. Protecting generations of warriors. I wrote a poem reflecting its history and welcoming its spirituality.   

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